The Stage Theatre: 4/8 – 5/15
The DCPA Theatre Company’s production of Stephen
Sondheim’s “Sweeney Todd” is OUTSTANDING!
Powerful and Unforgettable, the show is sensationally
well cast.
Robert
Petkoff’s mesmerizing performance as Sweeney Todd, rivets.
Linda
Mugleston’s Mrs. Lovett is to die for. This artist’s performance is full of
such diabolically funny nuance that one can’t take his eyes off her.
Mugleston’s singing of songs such as “By the Sea,” “A Little Priest” and “The
Worst Pies in London” is delicious … to the ear.
Kathleen
McCall is brilliant as the pitiably mad Beggar Woman.
Kevin
Mcguire’s Judge Turpin, Dwelvan David’s Beadle Bamford and Kevin Curtis’ Tobias
Ragg are all gloriously well put forth.
Director Kent Thompson’s choice to have Grammy Award-Winning Devotchka orchestrate Sondheim’s work paid off big time. Zach Williamson’s sound design has done a great job placing us in 19th century industrial London with its screaming, steaming whistles.
Director Kent Thompson’s choice to have Grammy Award-Winning Devotchka orchestrate Sondheim’s work paid off big time. Zach Williamson’s sound design has done a great job placing us in 19th century industrial London with its screaming, steaming whistles.
This production
immerses theatregoers in the dark world of vengeful depravity engendered by the
unjust incarceration of Sweeney Todd and the subsequent ill fates of his wife
and daughter. Although this production doesn’t indulge in the gore so
omnipresent in Tim Burton’s film, this is the most ‘red-blooded’ version of the
Sondheim classic in this reviewer’s memory.
Kenton Yeager’s lighting design is
impressive. Greg Coffin’s music direction of Devotchka’s spin on Sondheim’s
classic rocks the house.
The
costumes designed by Kevin Copenhaver are eye-popping. Those worn by Ms. Mugleston
and Ms. McCall recall the magnificence of those of a previous era at the DCPA
when costumes such as those for “Life is a Dream” left the theatregoer thunder-struck!
James Kronzer’s gothic industrial set design
is awe-inspiring. Nevertheless… one might have wished that the free standing
oven which rolls in and out could have been situated beneath Sweeney’s barber
chair so that the victims could find their final resting place more easily. Perhaps
that might not have been as easy as pie? (Sorry!)
This is the
best musical production to have been mounted by The DCPA Theatre Company in
memory. Run to get a ticket.
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