LEGALLY BLONDE
L-R: Ryan Bueller, Rachelle Wood and Dayle Extrell
“Legally Blonde, the Musical” is the screen to stage version of the 2001 movie that starred Reese Witherspoon. It’s fluffy, feather-weight escapism speaking to the 21st century version of young female empowerment. If there be any substance here it’s in a thinly veiled homage to that time honored truth that substance is more valuable than image.
“Legally Blonde, the Musical” is the screen to stage version of the 2001 movie that starred Reese Witherspoon. It’s fluffy, feather-weight escapism speaking to the 21st century version of young female empowerment. If there be any substance here it’s in a thinly veiled homage to that time honored truth that substance is more valuable than image.
So at the
top of the show all Elle Woods wants to do is to become the wife of the
well-heeled, well-dressed, self absorbed Warner Huntington lll. The balance of
the show is about Elle finding her way through the train wreck of her
infatuation for this arrogant cad to the realization that a kind and supportive
love would be LOTS better.
It’s a
pink, frothy (Did I say pink?) evening of musical theatre that’s a HUGE
hit with younger audiences. One must be totally candid in saying that mature theatregoers
may find the book for “Legally Blonde,the Musical” to be about as interesting as time travel back
to your high school pep rallies. Nevertheless, I’m told that this production of
the show is practically sold out for the run.
One reason to go is that the
multi-talented Nick Sugar directed and choreographed this lightweight ball of
fluff. Sugar, who can turn dross into gold, does it again with this show. Why do
I say that? Because he knows how to cast!
He’s cast
Rachelle Wood as Elle Woods (Is there an echo in here?). Ms. Woods, who was an
enchanting Mabel in the recent production of “Mack and Mabel,” is a musical
theatre firecracker as Elle.
As
Paulette, Dayle Extrell, Elle’s (There is an echo in here!) supportive hair
stylist friend, is outstanding!
Tim Oakes does a fine job creating arrogance
and narcissism as Warner Huntington lll.
Carter
Edward Smith turns in an affectionately drawn and very well sung portrayal of
Emmett Forrest.
Zach
Stailey (a brilliant Professor Callahan) does a remarkable job singing “Blood
in the Water.” (This description of the realities of becoming a shark of a
lawyer at least makes us think of a different color than pink momentarily!)
Ryan
Buehler is a stitch as Paulette’s hot UPS step-dancer boy friend. This actor
had the audience in hysterics whenever he strutted onto the stage.
The supporting cast is full of the names of
superb musical theatre actors. Among them are: Taylor Nicole Young, Rebekah
Ortiz, Gabriel Morales, Chelley Canales, Jenna Moll Reyes and Olivia Beyette.
Other
reasons to go are Donna Debreceni’s magical musical tracks and Nicole Harrison’s very fine costume design. Tina
Anderson’s scenic design is superb.
For tickets call:303-794-2787 townhallartscenter.org Marlowe's Musings
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