The Music Man
Chris Boeckx as Harold Hill
How does it get any better than this?
Chris Willard’s “The Music Man” for Town Hall
Arts in Littleton features an exhilarating performance by Chris Boeckx. His version of Harold Hill as a weasel
who’s surviving and thriving off the good will and naivete of old fashioned
down-home widows and spinsters is full of stink eye expressions to which only
we as audience are privy.
Maggie Sczekan as Marian
Maggie Sczekan as Marian
Maggie Sczekan’s portrayal of Marian, the
Librarian stuns. The term “auditory champagne" gets infused with a brand new
effervescence as Sczekan’s soaring soprano delivers the likes of “Til there Was
You” and “My White Knight … magnificently!
The Shinn family is given sterling life by
Brian Walker-Smith (Mayor Shinn,) LuAnn Buckstein (Eulalie Mackecknie Shinn)
and Erica Lloyd(Zaneeta Shinn.)
Damon Guerasio’s wide-eyed, high steppin’ Marcellus
sounds and looks a lot like that of a skinny version of Buddy Hackett. (I mean a
Hackett after a two-year success story with Weight Watchers!) Bravo!
How often can a critic say that the
children featured in a show are magnificent?
Not very often.
Here, however, we have two children who,
if they continue to study in the field of musical theatre, will become stars.
Sydney Fairbairn’s Amaryllis brings this nearly
always overlooked character to startling vibrant clarity. Ms. Fairbairn was the
star of Town Hall’s amazing “Annie” last holiday season.
Carter Novinger as Winthrop
Carter Novinger as Winthrop
Carter Novinger’s performance in the role
of Winthrop is outstanding. It is to be hoped that Mr. Novinger will continue
his work in the theatre as he shows tremendous promise.
Donna Debreceni’s musical direction is as
always, stunning. This time it is especially noticeable in the large choral
numbers like "Iowa Stubborn” and “The Wells Fargo Wagon.” Her work with the quartet
singing the Barber Shop quartet numbers astounds! Kevin Hindley, Keegan Flaugh,
John Mackey and Jacob Villareal are the outstanding harmonizers. And although
La Debreceni’s musical tracks are great one so wishes for her presence leading
her outstanding onstage band.
Kelly Kates’ choreography is exciting and fresh and fills the
stage to perfection. (This is the kind of correctly staged choreography that
allows the audience to feel excited and comfortable at the same time. I
remember one production of “Seven Brides For Seven Brothers” at The Country
Dinner Playhouse in which the athletic choreography was so expansive that
it made a critic fear that one of those leaping brothers was gonna land in
someone’s just offstage potato salad.)
Jacob Welch’s lighting creates just the
right mood in each scene. Especially in the ones that showcase Ms. Sczekan’s solos!
Cindy Franke’s costumes –especially those
for La Sczekan and La Buckstein- are eye-poppers. The outrageous hats Franke
designed for Ms. Buckstein are hilarious.
If there were one thing that this critic
might wish to have been done differently it would be the number at the top of
the show. Although the brass rectangle that served as the only physical
illusion of the train in “Rock Island” was nicely polished, the production of
this scene was not. In short… “Rock Island” does not rock! If anyone at Town
Hall is still on staff from around fifteen seasons ago he will remember a much
better scene in a somewhat less than good production.
2450 W. Main Street
Littleton, CO.
Call for tickets: 303-794-2787
or go online at townhallartscenter.comMarlowe's Musings
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